![]() ![]() ![]() | ![]() |
![]() ![]() ![]() ![]() ![]() |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Note: Links lead to the DBLP on the Web. Nicola Orio 4 Nicola Orio: Alignment of Performances with Scores Aimed at Content-Based Music Access and Retrieval. ECDL 2002 : 479-492 3 Massimo Melucci , Nicola Orio: Evaluating automatic melody segmentation aimed at music information retrieval. JCDL 2002 : 310-311 2 Nicola Orio: An Automatic Accompanist Based on Hidden Markov Models. AI*IA 2001 : 64-69 1 Massimo Melucci , Nicola Orio: Musical Information Retrieval Using Melodic Surface. ACM DL 1999 : 152-160 ![]() DiSC'03 © 2003 Association for Computing Machinery |